For some reason, I took
Home Economics in 7th grade, and that's where I really learned how to sew. My
mom certainly owned a sewing machine, but I don't remember using
it before that point (I do remember that in order to shoot my dad's bow, I had
to be able to lift 40 pounds, which was supposedly the equivalent of that
sewing machine). Far more memorable was mom's sewing box, which I loved
to organize (I alphabetized my books as a child, too. And had a tidy
bedroom). The clear plastic sewing bin was the size of a small microwave
(you old timers can compare it to a bread box); the spools of thread fit neatly
onto the specially-made plastic spindles affixed to the removable top tray;
buttons and other notions fit neatly into the square bins; scrap fabrics were
folded into the bottom of the box. Everything had a place. And I adore
that concept enough to (a) repeat it: "Everything had a place"
and to (b) again request God to put it in His next edition of the Bible (I've
not heard back on that).
My first sewing project. |
But I digress. In Home
Ec, I learned how to thread a sewing machine and use its basic knobs and
buttons and foot pedal (yes, they were electric machines, you
sassy reader). We then learned to use patterns by making a stuffed animal.
(To this day I hate patterns: horrible rippy tissue paper with strange
symbols and way too many lines and options). I chose to make an octopus,
for which I bought green gingham fabric (I don't know why), and followed the
3-legged pattern as closely as I could (why did it have 3 legs? A google search
for today's patterns show tons of cute 8-legged versions and a few 4 legged and
even 5-legged ones, but never 3. Ever.). I vaguely remember my parents
leaking snorts and giggles upon first seeing the creature. Perhaps
because the seams weren't very good and the stupid Styrofoam pellets leaked out
for years hence. Or, in retrospect, because it had three legs and looked,
well, like a weird male creature.
Upon completion of that
project (nightmare) I had earned Expert Seamstress Status. At
least in my own mind. I next made a Totally Cool vest from off-white
linen that was even reversible (I pause here for your admiring
gasp), but ... this extra work was totally pointless as BOTH SIDES were
the same fabric and color. All the work I did to hide seams, yet utterly
failed to think ahead about oh, say, DIFFERENT fabrics on the two sides. And I
bought a cute buckle for the back (one side only), but it was cheap, tarnished
quickly, and the stupid thing never stayed together. And the cute little
pockets were so stingy as to barely admit a quarter. But I wore the
stupid thing because I am proud. Which brings us to the theme of today's essay.
I love organizing; I
love weeding gardens; I love editing. But when I get into "blank
slate" kinds of situations (whether it's sewing, being a dean, or any
other creative endeavor), I freeze. I veer wildly between "The
Expert is In the House" and "This is Impossible," which leads to
piles of projects in various stages of not-being-done. Once I actually decide
to start a creative project, I often quit in frustration, blaming the
infuriatingly vague project/plan or the inadequate tools or the intrusive
children or even the weather for being so...stupid.
Nick & I on the Eleven-Point River (southern Missouri) |
For the sake of time and
embarrassment, let us just say that after a certain number of hours of
intra-canoe tension, Nick took me to a quiet part of the river downstream (well
away from our friends) and taught me how canoeing is actually done.
Just pulling a paddle does not make a canoe go straight.
Instead, you have to correct for the pulling force by making more of a J or L
pattern with the (stupid) paddle And you always have to read the (stupid)
river to judge its current direction and speed, etc, and make adjustments all
the time. To sum up: Canoeing had always seemed easy not because
I was so skilled, but because, well, someone smarter had quietly paid attention
to all the details and had done most of the work. I wasn't a master at
all; just a prideful child with grand visions and too little motivation to pay
attention to learning the basic skills. Ouch.
Back to sewing (you
thought I'd lost the thread there, didn't you? And hey - a sewing pun!).
Today when I was internet surfing and greedily pinning away (I shall not
name That Site of Evil Goodness) I suddenly realized just how many Undone
Projects I had going. And some part of my brain quietly but quite firmly
said, "ENOUGH.."
Oh. So I drafted a list
of all the projects I already had underway (organizing again enables
procrastination) and decided to tackle the stack of sewing, mostly involving
tailoring clothes for Elisabeth.
This was a mighty fine machine 30 years ago (8 whole stitch options!) |
As you know from above,
I was An Expert Seamstress, and therefore knew how easy it is to sew: set up
machine, sew, and away you go with your beautiful curtains or clothes or
whatever. But, if you're paying any attention, you already know I have a
wee little problem related to assumptions. To add to the fun had by the devil
on my behalf today, let's add my 30-year-old sewing machine that was roughed up
in transit to Korea last year (the tension knob broke off and empathic sewing
friend Tracey took me to a place to get it fixed; the guy didn't have the exact
part, but he built one out of spare parts - very impressive, but temperamental
(the knob, not the guy)). Listening to that part of my brain that had
said "ENOUGH.," I sat my backside down and worked on sewing.
I tried to be open to new lessons and googled my questions often, looking
closely at pictures and consulting lots of "how to" sites. Along the
way I may have stomped about and grumbled and perhaps even swore, and I
certainly had to do a lot of things over (and over) again, but I learned a lot.
Of pretty basic stuff. For example:
(1) Cheap. Thread. Breaks. Often. (And
using scraps of thread gleaned from hotel sewing kits? Not worth the hassle on
a machine.)
(2) Tension knobs actually do matter (oh, sure,
you can ignore them if all is well, like canoeing in the front with an
experienced partner in back, but if all is not well, what a snarled MESS). Corollary: testing on scrap fabric is actually worth the extra time and
the "cost" of thread. Yup. Took me a few times to learn that little
lesson.
(3) Reading glasses are very useful for
threading needles and picking out snarled messes. (I'm sorry, eyes, just
face it; you're not what you used to be.)
(4) Google and Pinterest
are very patient teachers (though they really slowed me down from that strong
inner drive to be DONE already). Careful and frequent measuring; pinning and
basting; and even ironing (horrors) are keys for successful
sewing. Even if they ARE time consuming and drag the simplest project out forever, these
new practices did help me feel good about my work.
Elisabeth was incredibly
patient with me, even when she got poked with pins or tried on the same thing
for the tenth time. Today I had to learn (AGAIN) that life isn't about
just sticking your paddle in the water and expecting that minimum contribution
to guarantee smooth sailing (just to mess with the metaphors). Nope: good
canoeing and good sewing (and probably a ten ka-billion other things) require
time spent gaining lots of basic knowledge; constant attention to current
conditions and needs; and the patience to deal with troubles.
Arg. It's so much work to
be prideful and then have to re-learn everything. Why can't I remember
that?
P.S. I saw this sewing
manual advice on Facebook today and had to include it here. The first
paragraph bowled me over given my above reflections; the second paragraph made
me want to slap somebody. :)
The second paragraph - Oooooh!!
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